Sunday, December 22, 2013

Painting Workshop at Cleo's


Today we met to paint at Cleo Parker Robinson Dance. There, we discussed the progress of the mural, had a great (and tough) discussion about debated roots of violence, and painted for about 3 hours. 


Artists Kathryn, John, and Leticia admire their work and discuss what should be added. 

Artists Suzie, Fred, and Tracy engage in discussion about the causes of domestic violence.

Leticia and Kathryn hammer furring strips into the plywood to prepare another panel. 

I add brown paint to the soiled dove of innocence. 

John paints a picture of a boy who is condemned for crying. This painting depicts how the socialization of male aggression starts when society tells boys that they can't show emotion or cry, but instead have to be "tough" and "strong" in order to be masculine. The caption reads: "Quit crying. Be a man." 

Tracy gathers inspiration from Leticia's collection of magazine clippings. 

Fred designs a table with a message in braille. This portion of the mural, made with glass stones,  expresses the (often forgotten) prevalence of violence towards people with disabilities. 



A girl holds the soiled dove of innocence. This picture demonstrates how girls are socialized at a young age to think that physical beauty is the most important aspect of being female. This can later lead to deep securities, body dysmorphia, depression, and the hyper-sexualization of girls/women in our society. 


This three panels are the "dark" part of the mural and represent the roots of domestic violence in our culture. 

Friday, December 20, 2013

Earthlinks Workshop Day Two


Dec 20th, 2013 - Earthlinks Workshop Day Two



One of the crucial partners in this effort, is Earthlinks, a nonprofit that works with homeless and low-income individuals facilitating various Earth-friend products that help to sustain the planet and people. As their members put it: "We are a community of people who are currently experiencing or who have previously known homeless. Together, we care for each other and for the Earth". 

Women of the world paint a multiracial hand



Artistic director, Leticia explains her vision for this panel. 




Kelly Shinn, the Workshop Program Director at Earthlinks, generously offered her time and space to let us paint. 

Risa Murray, an experienced artist, paints a dancer reaching towards a hopeful future. 

Although there is still a ways to go, we got a lot done in an hour!

Thanks so much to Earthlinks, Leticia, the artists, and my mom for their efforts today! There was great conversation and excellent progress. Until next time! 

Wednesday, December 4, 2013

Earthlinks Workshop Day One


December 4th, 2013 - Earthlinks Workshop Day One




Artistic Director, Leticia, updates the artists on the purchase of the panels and notifies them that they will be at Earthlinks in a couple weeks for the artists to paint! 

Arists Muzzette and Suzie listen as Leticia and I explain our vision.

We sat in a circle sharing our favorite art mediums, favorite symbols of peace, and personal stories about violence in the home. 


During individual brainstorming time, artist Muzzette writes a beautiful poem about her experience with DV. 

Leticia and Kelly write down thoughts about additions to the mural. 

Wednesday, November 20, 2013

Mural Construction

November 20th - Mural Construction 

At this point, you might be wondering how we're going to make the mural. Let me tell you.

We need: 
  • Lots of 4'x8' plywood panels
  • White primer
  • White paint
  • Silica sand (which is toxic, ergo the face masks)
  • Goggles
  • Gloves
  • Face masks
  • Roller brushes
  • Buckets
  • Will power and team work! 
Before we got to work, my mom and dad, Fred, Leo, Leticia, and I all sat down for a delicious home-cooked meal at Leo's house. I couldn't believe I got to eat in the presence of such a renowned artist! 







After the meal...

4'x8' Plywood Panels

Roller brushes

Silica Sand. Be careful not to breathe this in!

White primer 




Artist Fred Banks and Leticia paint the panels with a base coat. 

Then they layer the panels with silica sand. 

Then the panels are lifted so that the sand runs down the side, covering the whole surface. 

Leo uses a table saw to cut out the fire bird. This is the symbol of hope at the end of the mural. Leticia argued over whether it should be a chicken or a Dodo bird. In the end, a Phoenix won the majority vote. It beats me as to why. 

I was so excited to finally get the panels prepped! 

I scrapped the extra paint that dripped off the sides of the panel. 

Moms are the best. Thanks so much for your help! 
Leticia saws the bird's fire-wings as her dad gives her advice. 


 Next step: holding a meeting to brainstorm ideas for the mural! Stay tuned! 


Wednesday, November 13, 2013

A Legacy of Justice & Art

November 13th, 2013 


Today marks the first tangible process on the mural. Thanks to the generosity of Regis University's Honors Program, and it's director Dr. Tom Bowie, we now have enough funds to get this thing going! 

We went to Home Depot and picked up the supplies and brought them to Leo Tanguma's (Leticia's father's) house. There, he showed us numerous murals he's completed or still working on.





At Leo's House


The garage of the Master. 

Leo explains the meaning of this mural to my dad, Eric Jones and his friend Mark Bell. 
A mural in-progress about the New Testament story of the woman caught in adultery. She is brought before Jesus by angry Pharisees who ask him what the correct punishment is (Old Testament law declares the penalty is death my stoning). Jesus replies: "Let anyone without sin be the first to cast a stone" (John 8:7). 







Wednesday, October 23, 2013

Planning the Project


October 23, 2013 - Planning the Project

We met in the Dayton Memorial Library where the dedication of the mural will be, hopefully!
Leticia shows us some of her drawings to get ideas for the mural. Some are of children witnessing violence, some are symbols of brutality and racism, and others are of the roots of DV. 


After that, we headed to downtown Denver to Fred's apartment. This is the view from the pent house where they have a large event area. We are hoping to facilitate writing workshops with the women in a central location so that transportation is easy. Perhaps this might be an ideal area. 


Balcony of the event room.